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・ Prelude in C major
・ Prelude in C major, Op. 11, No. 1 (Scriabin)
・ Prelude in C minor
・ Prelude in C Minor (BWV 999)
・ Prelude in C minor (Rachmaninoff)
・ Prelude in C minor, BWV 999
・ Prelude in C-sharp minor
・ Prelude in C-sharp minor (Rachmaninoff)
・ Prelude in C-sharp minor, Op. 11, No. 10 (Scriabin)
・ Prelude in D major (Rachmaninoff)
・ Prelude in D minor (Rachmaninoff)
・ Prelude in E major, Op. 11, No. 9 (Scriabin)
・ Prelude in E minor, BWV 855a
・ Prelude in E minor, Op. 11, No. 4 (Scriabin)
・ Prelude in E-flat major (John Ireland)
Prelude in E-flat major (Rachmaninoff)
・ Prelude in E-flat minor (Rachmaninoff)
・ Prelude in F major, Op. 49, No. 2 (Scriabin)
・ Prelude in F-sharp minor (Rachmaninoff)
・ Prelude in G minor (Rachmaninoff)
・ Prelude in G-flat major (Rachmaninoff)
・ Prelude No. 1 (Villa-Lobos)
・ Prelude No. 4 (Villa-Lobos)
・ Prelude of Lotus Lantern
・ Prelude Op. 59 No. 2 (Scriabin)
・ Prelude Records (record label)
・ Prelude Records (shop)
・ Prelude to a Broken Arm
・ Prelude to a Dream
・ Prelude to a Kiss


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Prelude in E-flat major (Rachmaninoff) : ウィキペディア英語版
Prelude in E-flat major (Rachmaninoff)

The Prelude in E-flat Major, Op. 23, No. 6 is a 1903 composition by Sergei Rachmaninoff.〔Norris, Geoffrey, ''Rachmaninoff'', Schirmer Books, 1993 (pg. 170).〕〔''Id.''〕 It is part of Rachmaninoff's Ten Preludes, Op. 23.
== Structure ==

The E-flat major Prelude is written in a variation form. An extended sixteenth note accompaniment is offset by a three note reoccurring melodic germ in the right hand. The prelude is a serially reoccurring set of repetitions and variations.
Measures 1-9 establish the theme - a parallel period with a cadence in G minor - that continues throughout the piece. The theme is varied in measures 9-20 in G minor, F, E flat, A flat, F, and G. A repetition of the theme occurs at measure 21, and then is drastically simplified.
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Measure 28
An exchange of ascending and descending chromatic sequences occurs at measures 31 and 32, offset contrapuntally by the changes of the primary theme.
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Measures 31 and 32
Towards the end of the Prelude, an emphasis is placed on the sixteenth note accompaniment, which expands into two hands, rising upward in a chromatic pattern to the finish.
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Measures 39-40
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Measure 19
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Measure 37
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Measures 23-24
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Measures 37-38

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